Harry Frankfurt’s “On Bullshit” seems to hold the same weight in the academic community that Taylor Swift’s “Folklore” had for the rest of the world. It has redefined what we think of as possible, because suddenly “right” and “wrong” aren’t ends of a dichotomy, but there’s something ambiguous lurking somewhere in between. It’s BS. Three […]
Harry Frankfurt’s “On Bullshit” seems to hold the same weight in the academic community that Taylor Swift’s “Folklore” had for the rest of the world. It has redefined what we think of as possible, because suddenly “right” and “wrong” aren’t ends of a dichotomy, but there’s something ambiguous lurking somewhere in between. It’s BS. Three […]